Serenata Morisca Agustin Barrios Pdf 18

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Serenata Morisca: A Masterpiece by Agustin Barrios

Serenata Morisca is a solo guitar piece composed by Agustin Barrios, a Paraguayan virtuoso and composer who lived from 1885 to 1944. Barrios is widely regarded as one of the greatest guitarists of all time, and his works are among the most popular and challenging in the classical guitar repertoire.

Serenata Morisca, which means Moorish Serenade, is a tribute to the Spanish and Arabic influences on the guitar music of South America. The piece combines elements of flamenco, such as rasgueado (strumming) and alzapua (thumb technique), with Barrios' own lyrical and expressive style. The piece is divided into three sections: an introduction in E minor, a main theme in A minor, and a coda in E minor. The piece has a duration of about four minutes.

Serenata Morisca is not only a musical masterpiece, but also a historical document that reflects Barrios' cultural identity and musical heritage. Barrios was proud of his indigenous roots, and often performed in traditional costumes under the stage name of Nitsuga MangorÃ, which means Agustin backwards and Mangorà was the name of a Guaranà chief. Barrios also traveled extensively throughout Latin America and Europe, and incorporated elements of different musical traditions into his compositions.

Serenata Morisca is one of the many gems that Barrios left for posterity, and it is a must for any classical guitar enthusiast. The piece can be found in various editions and transcriptions, such as the one by Richard Stover[^1^], or the one by Cristiano Porqueddu[^2^]. The piece can also be heard in several recordings by renowned guitarists, such as Celil Refik Kaya[^1^], Philippe Lemaigre[^1^], or John Williams[^4^].Barrios was not only a brilliant musician, but also a curious and adventurous traveler. He visited almost every country in Latin America, as well as some in Europe and the Caribbean. He often performed in traditional costumes and used the stage name of Nitsuga MangorÃ, which was his first name spelled backwards and the name of a Guaranà chief. He did this to honor his indigenous ancestry and to create a mystical persona that fascinated his audiences. He also claimed to be a descendant of the last Inca emperor, Atahualpa, although there is no evidence to support this claim.

Barrios was influenced by various musical styles and genres, such as folk music, romanticism, impressionism, and nationalism. He composed more than 300 works for the guitar, many of which are considered masterpieces of the instrument. Some of his most famous pieces include La Catedral, Una Limosna por el Amor de Dios, Las Abejas, Vals Op. 8 No. 4, and Danza Paraguaya. He also arranged works by Bach, Chopin, TÃrrega, and others for the guitar. He was one of the first classical guitarists to record his music, using both wax cylinders and 78 rpm discs.

Barrios died on August 7, 1944, in San Salvador, El Salvador, where he had been living for a few years. He suffered from diabetes and pulmonary edema, and was buried in the JardÃn de la Paz cemetery. His legacy was largely forgotten for several decades, until a revival of interest in his music began in the 1970s. His works were published by various editors and recorded by many guitarists, such as John Williams, David Russell, Berta Rojas, and Sharon Isbin. Barrios is now widely recognized as one of the greatest composers and performers of the classical guitar. 061ffe29dd